{"title":"Vinyl ALL","description":"","products":[{"product_id":"two-bird-stone-hands-and-knees","title":"Two Bird Stone - Hands and Knees","description":"\u003cmain id=\"MainContent\" class=\"content-for-layout focus-none\" role=\"main\" tabindex=\"-1\"\u003e\n\u003csection id=\"shopify-section-template--21417947562303__main\" class=\"shopify-section section\"\u003e\n\u003csection id=\"MainProduct-template--21417947562303__main\" class=\"page-width section-template--21417947562303__main-padding\" data-section=\"template--21417947562303__main\"\u003e\n\u003cdiv class=\"product product--large product--left product--stacked product--mobile-hide grid grid--1-col grid--2-col-tablet\"\u003e\n\u003cdiv class=\"product__info-wrapper grid__item scroll-trigger animate--slide-in\"\u003e\n\u003cdiv class=\"product__description rte quick-add-hidden\"\u003e\n\u003cp\u003eVinyl Track List: \u003c\/p\u003e\n\u003cp\u003eSide A:  Hands and Knees, Showbox Money, Me and My Friends, Wake Me Up, When Somebody Can See your Soul\u003c\/p\u003e\n\u003cp\u003eSide B:  If You Wanna Come Back, The 99, I already Know What's On Your Mind, Needle and Thread, Drive It 'Til The Wheels Fall Off\u003c\/p\u003e\n\u003cp\u003eTwo Bird Stone Members: Liam Bailey, Judd Fuller, Chad Kelly, Rohin Khemani\u003c\/p\u003e\n\u003cp\u003eProduced by Dawn Rowe and Liam Bailey\u003c\/p\u003e\n\u003cp\u003eAll sounds written by Liam Thomas Bailey (Tracks 2,4, and 10 by Bailey and Dan Rowe)\u003c\/p\u003e\n\u003cp\u003eMixed by Shani Gandhi\u003c\/p\u003e\n\u003cp\u003eCopyright 2020 Liam Thomas Bailey\/Soundly Music All Rights Reserved\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cbutton class=\"share-button__button\"\u003e\u003csvg width=\"13\" height=\"12\" viewbox=\"0 0 13 12\" class=\"icon icon-share\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" aria-hidden=\"true\"\u003e\u003cpath d=\"M1.625 8.125V10.2917C1.625 10.579 1.73914 10.8545 1.9423 11.0577C2.14547 11.2609 2.42102 11.375 2.70833 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Recorded in just two sessions, Miles Davis assembled an extraordinary ensemble — featuring John Coltrane, Bill Evans, Cannonball Adderley, Paul Chambers, and Jimmy Cobb — and led them through a groundbreaking modal approach to improvisation, largely abandoning the complex chord changes of bebop in favor of open, scale-based exploration.\u003c\/p\u003e\n\u003cp\u003eThe result is an album of unparalleled calm and complexity. Tracks like \u003cem\u003eSo What\u003c\/em\u003e, \u003cem\u003eFreddie Freeloader\u003c\/em\u003e, and \u003cem\u003eBlue in Green\u003c\/em\u003e feel simultaneously effortless and deeply considered, each musician given space to breathe and respond. 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With Scott LaFaro on bass and Paul Motian on drums, Bill Evans redefined the piano trio format — rather than functioning as a rhythm section behind a soloist, all three musicians engaged in continuous, democratic conversation. The result was something entirely new: jazz that felt like chamber music, intimate and intricately woven.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eHighlights include a luminous take on \u003cem\u003eAutumn Leaves\u003c\/em\u003e, a delicate \u003cem\u003ePeri's Scope\u003c\/em\u003e, and a strikingly introspective reading of \u003cem\u003eWhen I Fall in Love\u003c\/em\u003e. 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Charles Mingus — composer, bassist, and bandleader of extraordinary depth — assembled a remarkable ensemble and delivered an album that stretches across the full breadth of jazz history, from blues and gospel roots to hard bop and beyond. Tracks like \u003cem\u003eBetter Git It in Your Soul\u003c\/em\u003e pulse with raw church energy, while \u003cem\u003eGoodbye Pork Pie Hat\u003c\/em\u003e — a hauntingly beautiful elegy for Lester Young — remains one of the most emotionally devastating compositions in the entire jazz canon.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eWhere many of his contemporaries were pushing jazz forward in a single direction, Mingus was doing something more ambitious: synthesizing the whole of the music's tradition into something entirely his own. 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Trading his tenor for soprano saxophone, Coltrane conjures something hypnotic and otherworldly, with McCoy Tyner's modal piano and Elvin Jones's surging, polyrhythmic drumming propelling the music into entirely new territory.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe album marks a pivotal turning point: the seeds of what would later bloom into \u003cem\u003eA Love Supreme\u003c\/em\u003e and the avant-garde explorations beyond are all audible here, wrapped in a format still accessible and deeply swinging.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis \u003cstrong\u003eAtlantic \/ Quality Record Pressing edition on 180-gram vinyl at 45 RPM\u003c\/strong\u003e represents the gold standard of reissue quality. The 45 RPM format — spread across multiple records — allows for wider groove spacing, resulting in dramatically improved dynamic range, detail, and fidelity compared to a standard 33⅓ pressing. 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Hubbard's trumpet playing here is breathtaking — brilliant technique married to deep soulfulness, equally at home in the burning, straight-ahead swing of \u003cem\u003eCrisis\u003c\/em\u003e and the more open, exploratory passages that hint at the avant-garde currents of the era. The ensemble, featuring James Spaulding, Harold Mabern, Larry Ridley, and Clifford Jarvis, is tight and responsive throughout.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThough somewhat overlooked compared to Hubbard's more celebrated Blue Note dates, \u003cem\u003eBlue Spirits\u003c\/em\u003e is a hidden gem of the label's golden era — a record that rewards patient listeners with one of the most exciting trumpet voices in jazz history doing exactly what he did best.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe \u003cstrong\u003eTone Poet Series\u003c\/strong\u003e from Blue Note is among the most respected reissue programs in vinyl today, overseen by producer Joe Harley and pressed at QRP on \u003cstrong\u003e180-gram vinyl\u003c\/strong\u003e from all-analog signal chains. Every detail of the original Van Gelder recording is preserved with stunning authenticity.\u003c\/p\u003e","brand":"The Downbeat","offers":[{"title":"Default Title","offer_id":52371551584549,"sku":null,"price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6639\/9525\/files\/2-freddie-hubbard-blue-spirits-tone-poet-vinyl-edition.webp?v=1778695770"},{"product_id":"round-about-midnight-miles-davis","title":"Round About Midnight, Miles Davis","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReleased in 1957, \u003cem\u003e'Round About Midnight\u003c\/em\u003e holds a special place in jazz history as Miles Davis's debut album for Columbia Records — the beginning of one of the most celebrated label partnerships in the music's history. Recorded with his first great quintet featuring John Coltrane on tenor saxophone, Red Garland on piano, Paul Chambers on bass, and Philly Joe Jones on drums, the album announced Davis's full artistic maturity and the arrival of a group that would define hard bop's most lyrical and introspective side.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe title track — Thelonious Monk's haunting \u003cem\u003e'Round Midnight\u003c\/em\u003e — opens the album with Davis's muted trumpet at its most achingly beautiful, setting a tone of cool, late-night intimacy that carries through the entire record. Every track is a study in restraint and elegance, the quintet playing with an effortless rapport that belies how recently they had come together.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eMobile Fidelity Sound Lab\u003c\/strong\u003e is one of the most respected names in audiophile reissues, renowned for their meticulous mastering process and commitment to retrieving every last detail from original source tapes. This pressing delivers the warmth and intimacy of the original Columbia sessions with exceptional depth and clarity — a worthy showcase for one of Davis's finest early recordings.\u003c\/p\u003e","brand":"The Downbeat","offers":[{"title":"Default Title","offer_id":52371554959653,"sku":null,"price":53.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6639\/9525\/files\/miles-davis-round-about-midnight-mockup-750x750_jpg.webp?v=1778695988"},{"product_id":"jazz-samba-stan-getz-charlie-byrd","title":"Jazz Samba, Stan Getz, Charlie Byrd","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eReleased in 1962, \u003cem\u003eJazz Samba\u003c\/em\u003e is the record that ignited the bossa nova craze in America. Recorded in a Washington D.C. church to capture its natural acoustic warmth, the album brought together Stan Getz's luminous, airy tenor saxophone and Charlie Byrd's nimble, classically informed guitar in a program of Brazilian rhythms and melodies that felt simultaneously exotic and immediately accessible to American ears. The album shot to number one on the Billboard pop charts — a virtually unheard-of achievement for a jazz record — and won the Grammy for Album of the Year in 1963.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eTracks like \u003cem\u003eDesafinado\u003c\/em\u003e and \u003cem\u003eSamba de Uma Nota Só (One Note Samba)\u003c\/em\u003e introduced a generation of listeners to the gentle swing and subtle harmonic sophistication of bossa nova, paving the way for the even more celebrated \u003cem\u003eGetz\/Gilberto\u003c\/em\u003e two years later. It remains a joyful, sun-drenched listen from start to finish.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThis \u003cstrong\u003eAcoustic Sounds pressing\u003c\/strong\u003e applies the same audiophile rigor the label brings to all of its reissues, preserving the natural, airy quality of the original recording with warmth and detail that brings the church acoustic vividly to life.\u003c\/p\u003e","brand":"The Downbeat","offers":[{"title":"Default Title","offer_id":52371562332453,"sku":null,"price":41.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0980\/6639\/9525\/files\/8432_b.jpg?v=1778696286"}],"url":"https:\/\/downbeathickory.com\/collections\/vinyl.oembed","provider":"The Downbeat","version":"1.0","type":"link"}